🎓︎ MASTER OF FINE ARTS - VOICE: National Institute of Dramatic Art, Sydney

🎓︎ DIPLOMA OF SCREEN PERFORMANCE: Western Australian Academy of Performing Arts, Perth

🎓︎ BA (English, Italian minor)/ BBus (Event Management): University of the Sunshine Coast

🎓︎ CERT IV: TRAINING AND ASSESSMENT: International Teacher Training Academy

🎓︎ TRAUMA-INFORMED VOICE PROFESSIONAL CERTIFICATE: The Voice Study Centre, UK

🎓︎ Lessac Certified Trainer

🎓︎ Vocal Combat Technique coach

PROFESSIONAL DEVELOPMENT

• VASTA 2025 Annual Conference ‘Laissez Les Bons Voix Rouler!’, Junior Board workshop facilitator

• VASTA Global Virtual Symposium 2024: In/Corporate Voice

• Lessac Kinesensics Technique: 2023 South African Intensive Workshop, Decolonising Lessac - 2024 US Summer Intensive Workshop and Facilitator Training

• Knight-Thompson Speechwork: Experiencing Speech, Phonetics Intensive, Prosody Workshop, Experiencing Accents

UNIVERSITY OF THE ARTS SHARJAH: ACADEMY OF PERFORMING ARTS

• 2026- Present: Lead Tutor: Voice/ Accents & Dialects

  • Practical Voice, Accents and Dialects, Speech Systems, Voice Over

NATIONAL INSTITUTE OF DRAMATIC ART (NIDA)

• 2022 - 2025: selection of key lecturing experiences:

  • Bachelor of Fine Arts (Acting): Accent and Dialect course, Text classes, Political Speeches, Phonetics, Lessac Articulation, ‘Articulate’ ADR 3rd year project

  • Bachelor of Fine Arts (Technical Theatre Stage Management): microphone technique and safe theatre vocal use workshops

  • NIDA MFA Directors: Voice and Text Workshops

  • Seasonal student productions (outlined in Theatre Productions)

NIDA OPEN

• The Confident Voice

• General American Accent, Standard British Accent

• Studio courses: Vocal Development and General American Accent

OTHER INSTITUTES: SYDNEY ACTORS SCHOOL, UNIVERSITY OF WOLLONGONG, SYDNEY THEATRE SCHOOL, AFTT (now JMC ACADEMY), AUSTRALIAN THEATRE FOR YOUNG PEOPLE, THE AUSTRALIAN INSTITUTE FOR PERFORMING ARTS, BRENT STREET PERFORMING ARTS

• Other institutional coaching in vocal development, individual and ensemble poetry embodiment, Shakespearean text, accents and dialects, extreme vocal use, presentation skills, voice over technique

• Speech and Drama taught for Trinity and ASCA exams

THEATRE PRODUCTIONS: VOICE AND DIALECT COACHING

• Per UAS: Merrily We Roll Along (dir: Abdelbary Abdelhady), And The World Goes Round (dir: Peter Barlow)

• Sister Act The Musical 2024- Dialect Coach (dir: Bill Buckhurst)

• Per NIDA: The 25th Annual Putnam County Spelling Bee (dir: Darren Yap), The Seagull (dir: Joseph Uchitel), Machinal (dir: Carissa Licciardello), How I Learned To Drive (dir: Tasnim Hossain), The Seagull (dir: Benjamin Schostakowski)

• Per NIDA MFA Support Coaching: When The Rain Stops Falling (dir: Mark Gaal), Ghost Lights (dir: Katy Alexander), A Conversation (dir: Gillian Meisner-Lemon), Hot l Baltimore (dir: Elsie Edgerton-Till), Hurly Burly (dir: Kim Hardwick), A View From The Bridge (dir: Ed Wightman). For 'NIDA Festival of Emerging Artist' - And A Happy New Year (dir: Sophie Benassi), Hydrarchos (dir: Rikiah Lizarraga).

• Per AFTT/ JMC Academy: Henry IV and Richard II

• Per Sydney Actors School: Separate Tables (dir: Shane Anthony) and Joan Must Die (dir: Megan O’Connell).

• Independent Theatre:

  • Control - Dialect Coach (dir: Lachlan Driscoll)

  • Three Tall Women - Dialect Coach (dir: Sophie Benassi)

  • Lunch with Bernays - Dialect Coach (dir: Samira Spring)

  • Forgotten - Voice and Dialect Coach (dir: Madeleine Diggins)

  • Sivvy Plath's Birthday Present - Dialect Consultant (dir: Cate Whittaker)

FILM PRODUCTIONS

• Numbered Lives feature, 2025 release - On-Set and ADR Dialect Coach (dir: James Clarke)

GUEST COACHING/ TEACHING

• Griffin Theatre Company: Griffin Ambassadors voice workshop

• Belvoir St Theatre: The Weekend (dir: Sarah Goodes) guest show support cover coach in tech week

• NSW Speech and Drama Association: Contemporary Text Workshop for Teachers

• Midnight Feast Theatre Company: term of extreme vocal use and resonance for actors with disabilities

DIALECTS COACHED:

• Australian, Baltimore, Boston, Bolton, Californian Surfer, Cockney, Estuary, Fijian, French, General American, German, Italian, Irish, Mid-Atlantic, Minnesota, New York: Brooklyn, Queens, Manhattan, Puerto Rican (Bronx), Received Pronunciation, Scottish, Standard British, Southern American, Yorkshire

  Idiolects: Sylvia Plath

LANGUAGES COACHED:

• Latin, French, Italian, German

As a voice over artist, I have voiced commercials, audiobooks, corporate and explainer videos, government and podcast narration, and e-learning. I constantly expand my repertoire of vocal acting skills as a voice coach and actor through performance technique, character voices and dialects.

I work freelance from my home studio and have relationships with a number of Sydney engineers for in-studio bookings.

For samples of my voice work, you can play the audio file above or head over to my Voice Over Website.

I am a Sydney based actor and graduate of the Western Australian Academy of Performing Arts (WAAPA) Diploma of Screen Performance. I have worked on stage and screen across Australia and trained globally, including a summer semester at the Stella Adler Studio of NYC. My extensive and varied training has consisted of Meisner, Adler, Hagen, Chubbuck, Stanislavski and with many skilled practitioners in improvisation, audition technique, screen acting and a wide variety of voice, acting and movement techniques.

On stage, I have played a spotlight stealing ‘Dance-Mom’ Lady Macbeth, a wildly ocker Anna in The Government Inspector and a giddy budding novelist in the Sydney debut of The Sweet Science of Bruising. In every project, I adore the process of collaboration, creativity and pursuit of storytelling excellence to create entertaining, resonating works.

Find out more via my Showcast, Casting Networks and Altai profiles.